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Angelina Jolie’s emerald earrings: a lesson in a single focal point
Some red-carpet references remain useful long after the event. Angelina Jolie’s 2009 Oscars appearance is one of them: British Vogue documents her pear-shaped emerald drop earrings by Lorraine Schwartz, worn with a black Elie Saab gown.

What we take from the look
Our styling interpretation is about concentration. A strong green accent beside the face can carry the composition when the clothing provides a quieter background. The lesson does not require recreating the original jewels or their scale.
Begin by deciding what should receive attention first. If it is the earrings, try a neckline and other accessories that leave them room. If an elaborate collar or heavily patterned dress is already the focal point, a smaller earring may create a more balanced result.
Translate the idea into your own pair
The pear silhouette combines a rounded end with a point. For earrings, compare the two outlines together and ask how they will hang in the proposed setting. A drawing should show the entire earring, including the attachment above the emerald, rather than the stone alone.
Our two collection choices below are pear-shaped pairs selected for this design discussion. They are loose stones, not replicas or the jewels worn by Jolie. Ask for current side-by-side video before deciding on a setting.
Visit Alice Cary’s original British Vogue gallery through the source link to see the celebrity look. The photographs on this page are Real Gems inventory images; the reference is editorial inspiration and does not suggest a celebrity or designer endorsement.
Further reading: Alice Cary, British Vogue — 10 Times Angelina Jolie’s Spectacular Jewellery Lit Up The Red Carpet. Credit belongs to the original authors and publishers.
From the Real Gems collection
Explore the stones
Two selections chosen for this article’s design or gemology discussion.
Collection photographs: Real Gems. Product pages show current information and availability. Photographs are not shown to scale.

